
The New York Times documents this growing underground hip-hop scene. Having lived in Shanghai for over a year, I believe this hip hop, while borrowed from the west, is a great form of active and creative self-expression for Chinese youth. The emergence of this art form will erode state-sanctioned pop music, which dominates airwaves.
Pop music and culture in China often focuses narrowly on issues of family, tradition and romantic love. Independent, and in this case, hip-hop culture will bring new topics into the public discourse. Perhaps the music, style and attitude of these artists will challenge traditional attitudes and pressures to conform.
To me, this phenomenon speaks to wonder and curiosity for this movement is organic. Like a tree shooting skyward from a crack it does not belong. The People's Republic of China opposes diversity of thought. The enforcement of homogenized culture fuels the ascension of Chinese hip hip.